Sweet and petit award ribbon brooches, made from handcut paper and felt, in happy splashes of colour. Intended for wear on days that need a little brightening.
Sunday, February 28, 2010
Amy Borrell
Brittany Veitch
French profanity, curse with style. Hand-embroidered felt speech bubbles in black, de rigueur for Melbourne chic, slung from gaudy gold chain.
Pardon my French! is a tongue in check expression of fashion frivolities mixing cheap material, commonly associated with mass production, with traditional craftsmanship skills to bring a subtle quality to what is an essentially crude trinket.
Emblazoned in finely detailed hand stitching, Zut!, a French expletive, pays homage to Paris, France, an icon for fashion.
And so to this folly, say oui oui, and curse to your heart’s content.
Gemma Patford
Gemma is primarily a pattern maker and seamstress and her works are known for their use of colour, texture and popular forms. Gemma’s work draws heavily on popular culture references, primarily everyday objects enlarged and used in contrasting circumstances.
NotToday is stocked at Dagmar Rousset, I Like You, John Citizen and Hunter Gatherer in Melbourne.

Motorola DynaTAC Plushie 2010, 2010, felt, stuffing and pin backs
DynaTAC Plushie 2010.
Before the iPhone, before the Blackberry, before emails, there was the Motorola BRICK!
With the fax machine becoming gradually more affordable, the people of 1983 were looking for something new. iPods weren’t invented, and it was going to be several years before Sony had a Portable CD player with Electronic Skip Protection.
Retailing for about $4000, the Motorola DynaTAC 8000 was the hottest thing out, being cavorted about by Wall Street wheelers and dealers, corporate big wigs and Michael Douglas in ‘Wall Street’.
Gemma Patford’s take on the DynaTAC 8000 is similar on many levels. The call quality is poor, and it's still sans email and instant messaging.
www.nottoday-nottoday.blogspot.com
About
Insert Coin Here
Insert Coin Here comprises of two vending machines strategically placed in public spaces around the Melbourne CBD. Containing limited edition 'fashion objects' produced by over 60 Melbourne-based artists, the vending machines are activated when a member of the public inserts a $2 coin. The exhibition explores alternative interfaces of exchange for fashion, the mechanised system as a form of 'fashion dialogue'. More broadly, it thinks through discourses around public space and the role that fashion might play in it.
1 - 31 March 2010
Insert Coin Here is proudly supported by:


